Canvas strapped on to two separate frames, photographed in two set-ups: horizontal, vertical. The blank canvas is cut from the frames, sewn into costumes, worn by painters and photographed. Painting: by the friction of the painters moving bodies raw pigments and oil mix into paint, the scene is filmed. Costumes are cut up and the wet canvas re-strapped to frames.
In collaboration w. Manuel Ruben Hallermeier